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*** Top Artists Pay Homage to Putrid Picasso ***
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APRIL 10, 2023
NY Times: 10 Artists on Picasso’s Enduring, Confounding Influence
Faith Ringgold, Mickalene Thomas, George Condo and others talk to our critics about the visual world he helped create.
NY Times: 10 Artists on Picasso’s Enduring, Confounding Influence
Faith Ringgold, Mickalene Thomas, George Condo and others talk to our critics about the visual world he helped create.
REBUTTAL BY
A half-century after Pablo Picasso's departure for the pits of Hell, and more than a full century since the "usual suspects" -- the "paper of record" at the fore -- started bidding-up his insane garbage -- Sulzberger's Slimes is still propping up that communist con-artist "artist" (double word intended) who likely diddled his own daughter (here). To maintain credibility and relevance for contemporary art fans, 10 modern purveyors of putrid paintings were dredged up to pay their respects to the master.
From the article:
"Picasso's influence lingers everywhere, from the fractured forms of contemporary portraiture to the digital collages of TikTok. I and my fellow critics Roberta Smith, Will Heinrich and Yinka Elujoba called up 10 artists to discuss how Picasso has been metabolized and reimagined today. These are edited excerpts from our conversations."
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One by one, the modern degenerate artists -- whose works are just as ugly as those of their historical idol -- gush over Picasso as if he were some inspirational demi-god for them. Ironically, they do indeed owe a huge debt of gratitude to that bastard, but not for any type of artistic inspiration. You see, it was Picasso -- more specifically, his handlers (cough cough) -- that created a lucrative money laundering market in which no-talent maniacs could rise to heights of fame and fortune by mass producing crayola crap on canvas. Of course these filthy rich charlatans would revere Picasso!
From the article:
"Picasso's influence lingers everywhere, from the fractured forms of contemporary portraiture to the digital collages of TikTok. I and my fellow critics Roberta Smith, Will Heinrich and Yinka Elujoba called up 10 artists to discuss how Picasso has been metabolized and reimagined today. These are edited excerpts from our conversations."
*
One by one, the modern degenerate artists -- whose works are just as ugly as those of their historical idol -- gush over Picasso as if he were some inspirational demi-god for them. Ironically, they do indeed owe a huge debt of gratitude to that bastard, but not for any type of artistic inspiration. You see, it was Picasso -- more specifically, his handlers (cough cough) -- that created a lucrative money laundering market in which no-talent maniacs could rise to heights of fame and fortune by mass producing crayola crap on canvas. Of course these filthy rich charlatans would revere Picasso!
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1. Putrid Pablo drew a portrait of his idol, Joe Stalin. // 2. Maya Ruiz Picasso stands before a painting of an old bald man admiring a young nude woman. Could it be a self-portrait of Picasso with his grown up daughter? (He painted her up until she was 18) -- Yeah, I think so. // 3. Friendly biographer John Richardson with Picasso. Richardson believed that Pablo and Maya were "lovers" -- sick!
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1. George Condo is one of the great contemporary "artists" selected to praise Picasso in this Slimes article: "I feel that he was the painter who gave me the freedom to let go." // 2 & 3. Some of Condo's "art." A real sicko.
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Puked out by Picasso -- Each one worth a fortune! Picasso: "Give me a museum and I'll fill it." (Not hard to do when you're churning out assembly-line trash like this!)
How the heck did a degenerate weirdo like Picasso achieve such an astonishing level of "international acclaim" ™ -- still lasting nearly 50 years after his death? What powerful hand boosted this charlatan and his UGLY "artworks?"
Well, he was a Communist -- later self-exiled from Franco's Spain. That's always a career booster in the "art world." But going back further and climbing even higher up the ladder leading to immortality, we learn that a very young (in his early 20s) and unknown Picasso, had, by 1905, become a favorite of "American" art collectors Leo & Gertrude Stein (cough cough -- surprise surprise). Their older brother, Michael Stein also became a collector of his crap on canvas. Ghoulish Gerty -- since relocated in France -- became Picasso's main patron. She acquired his drawings and paintings and exhibited them in her home salon for the retarded "in crowd" of Paris to discover and dutifully marvel at like so many "goy" dopes and dupes on a Yiddish string. And the rest, as the French say, is histoire.
Under. Every. Rock --- Every. Single. Time. ... Ah, show us the shekels, Pablo. Show us the shekels.
THE ANOINTED ARBITERS OF "ART"
Smithsonian Magazine
Culture Trip
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1. Gertrude & Leo Stein manufactured and marketed Pablo Picasso Inc. --OUT OF NOTHING. They have since been praised for having such amazing "foresight." // 2. Gruesome Gertrude was a lesbian. // 3. Picasso's uncharacteristically realistic cartoon portrait of Boss Lady actually looks better than the real thing.
The hidden agenda behind this 100 + year-old movement (proudly referred to as "anti-art" by its early Marxist practitioners (here)) to replace the good stuff with neurotic garbage benefits the Globalists. You see, "Modern Art" distorts and perverts the appreciation and understanding of the good, the true and the beautiful. Convince the idiotic "intelligentsia" in any given society that up is down, black is white, crap is gold, men can be women, etc -- and soon you can sell these "educated" chumps anything. From there, the madness will eventually flow downhill to the mimicking masses.
The essence of "modernism" is to suppress one's God-given instincts, and then choose to believe in nothing, unless the "powers that be" instruct and authorize you to believe in something, that is. In the final analysis, a people that can no longer distinguish truth and beauty from falsehood and ugliness, is a people that is ripe for all manner of mental & moral degradation, political deception, oppression and enslavement. And that is why Modern Art is the art-of-choice for the cultural vandals behind the New World Order --- and it is also why The Great One, (that's Hitler for you newbies and normies) -- a talented painter himself (see examples below) -- protected his people from this massive financial and psychological con-game that is still being played today. He declared:
"Works of art that cannot be understood but need a swollen set of instructions to prove their right to exist and find their way to neurotics who are receptive to such stupid or insolent nonsense will no longer openly reach the German nation."
Tell it, Great One. Tell it!
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RHC's Annual Hitler's Birthday Drawing is fast approaching. This year, among a basket of other great prizes, you can win a poster of a Hitler painting of your choice. Enter now!
CLICK HERE TO SEE THE PRIZES
CLICK HERE TO SEE THE PRIZES
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Boobus Americanus 1: The New York Times selected 10 top modern artists to say a few words about Picasso. He has influenced entire generations of artists.
Boobus Americanus 2: Well, Picasso was indeed a transformative figure --- the greatest artist of the 20th Century.
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St. Sugar: Sayss who, Boobuss --- ssayss who?
Editor: So sayeth, the New York Slimes Arts Section.
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